Contact | New projects
Contact a film score composer.
Tell me what the audience should feel, where the music will be heard and what stage the production has reached. A clear brief is more useful than a polished pitch.
A useful first conversation
What happens after you get in touch?
When you contact a film score composer, the first step should be a conversation about the story rather than a sales pitch. I review the brief, listen to any musical references and look at available picture, gameplay or timing notes.
I will reply with practical questions about the amount of original music, the emotional direction, delivery dates, revisions and usage rights. If the project is a good fit, I will outline the scope and prepare a quote. You will know what is included before composition begins.
Projects I can help with
Original music shaped around the production
Films and short films
Theme writing, underscore, transitions and final cues developed around character, pace and dramatic structure.
Trailers and commercial work
Focused music for edits that need clear builds, memorable identity and precise synchronization with picture.
Video games
Loop-ready cues, character themes and adaptive musical ideas for gameplay, menus and story sequences.
You can hear examples in the film score and game music portfolio. For planning information, the pricing guide explains starting ranges, revisions, deliverables and licensing.
Working together
Contact a film score composer with a clear starting point
You do not need to solve the music before sending an inquiry. A short note about the story, the intended audience and the role of music is enough to begin. If picture is available, a private viewing link helps me understand pacing and where silence may be as important as a cue.
For a game, it helps to explain the core loop, setting, characters and any transitions the music must support. A simple capture or design document can make the conversation more specific, even while development is still moving. When you contact a film score composer early, the music schedule can be planned alongside the edit or development milestones.
A practical scoring workflow
Once the scope is agreed, I establish the musical direction before producing every cue. Early sketches give us a chance to confirm tone, instrumentation and energy. Feedback is easier to act on when it refers to story or function: for example, whether a moment should feel more intimate, uncertain, playful or urgent.
Delivery can include full mixes, stems, alternate versions and loop-ready files depending on the production. Revision limits, schedule and usage rights are written into the quote so both sides have a clear reference throughout the project. Before you contact a film score composer, you can also listen to my released work on SoundCloud to get a sense of range and production style.
Frequently asked questions
Before contacting a film score composer
Do I need a finished edit?
No. A script, storyboard, animatic, rough cut or gameplay capture can be enough for an early conversation. The clearer the production schedule is, the easier it is to plan milestones.
What if I do not know the right musical terms?
Describe the scene, character and feeling in ordinary language. References are helpful, but they do not need to be exact instructions. Part of my work is translating creative direction into music.
Can you work remotely?
Yes. Reviews can be handled through video calls, time-coded notes and private audio or video links. Final masters, stems and alternate versions are delivered online.
What should I include about the budget?
A comfortable range helps determine what is realistic. Music length, complexity, revisions, turnaround and usage rights all affect the final quote.
For more detailed preparation, read the practical guide on how to hire a film score composer in the Philippines.